my week with marilyn

August 20, 2012

“For Colin [Eddie Redmayne], everything was vintage 1950s. I wanted to show the difference in 1956 between American clothing and English clothing. In England, we were still very uptight, tailored—it was not as relaxed as the American cut. So you see that with Milton [Dominic Cooper], the publicist played by Toby Jones, and Arthur Miller [Dougray Scott]. They’re very American, to highlight our Englishness,” she says. (x)
“There was a different style, there were different fabrics used. We had not long been out of rationing in this country, after World War 2, so did not have as much as the American.” (x)

“What we wanted to represent was the private side of her,” explained Taylor. “She’s known for her show-stopping glamorous gowns, but after studying hundreds of books and photographs we found out that actually Marilyn dressed for comfort. She was ahead of her time in terms of style. The Fifties look was very much based on structuring and tailoring, but she was often chose quite American sporty clothes to wear. She was the Calvin Klein girl before there even was Calvin Klein. In private, she kept to very simple lines and silhouettes.” (x)

“What struck me was how she was way ahead of her time, in terms of simplicity. I’ve got loads of stills of her in England just riding her bike in a big chunky sweater in a pair of jeans and loafers. Very simple. Very easy.”

Crisp American tailoring vs. English tweediness. Glamorous simplicity. A gaggle of Eton schoolboys in top hats. Hugging the camel coat around your shoulders. Those short Audrey Hepburn bangs.


2 Responses to “my week with marilyn”

  1. Moonlight Sonata Says:

    It’s a great movie, but I have to admit that my attention was focused entirely on the costumes!

  2. […] seem to have a love for those upswept Audrey Hepburn bangs (here sported by Marion Cotillard’s Luisa Contini), though I would never dare […]

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